Discovery of an ancient capsule stored deep in
a canyon for a Millenium
Introduction to the WingMakers’ Time Capsule
(Code-named Ancient Arrow Project)
Nearly 27 years ago, mysterious artifacts were found that
led to one of the most intriguing scientific and anthropological discoveries
ever made. A secret, unacknowledged department of the NSA — responsible for
extraterrestrial contact and technology assimilation — took the discovery into
their laboratory for the purposes of their own agenda. This secret organization
is known as the Advanced Contact Intelligence Organization (ACIO) and has
enjoyed complete anonymity until now.
The discovery — referred to by the ACIO as the Ancient Arrow
project — consisted of 23 chambers and connecting tunnels hollowed out deep
within a huge, natural rock structure in a remote canyon of northern New
Mexico. Inside this massive and well-hidden structure were incredible artifacts
of a culture that was of indeterminate origins. In each of the 23 chambers were
found wall paintings, various alien technologies, and strange, encoded
hieroglyphs. By most appearances, the discovery was like a natural history
museum from an alien race. It became known among the researchers as ETC or
Extraterrestrial Time Capsule.
Because of carbon-dating analyses, it was initially assumed
that this time capsule was left behind by extraterrestrials that had visited
earth in the 8th century AD. However, it wasn’t until 1997 that the encoded
language found within the site and its artifacts became accessible to the ACIO.
It was then that it was determined that the time capsule was actually designed
and built by a future version of humankind who were adept at interactive time
travel. They called themselves, WingMakers.
One of the scientists from the ACIO involved in developing
the translation tables for the Ancient Arrow project, defected in December
1997, and has disclosed this secret project to a journalist named Anne. And
under agreement with the aforementioned scientist, has placed these materials
on the Internet for the purpose of exposing the WingMakers’ time capsule to all
who want to see, hear, and read its poignant and provocative message.
There are hundreds of pages of philosophy, photographs,
poetry, new physics, music, and artifacts inside this site, all derived from
the WingMakers’ time capsule. This discovery is being introduced to a worldwide
audience through the Internet.
Dr. Anderson
“Only one thing, and that is that if anyone ever reads this
interview, please do so with an empty mind. If you bring a mind full of
learning and education and opinion, you’ll find so much to argue with in what
I’ve said that you’ll not hear anything. And I’m not interested in arguing with
anyone. I’m not even that interested in convincing anyone of what I’ve said. My
life will go on even if no one believes me.
“The WingMakers have
built a time capsule of their culture and it’s magnificent. I wish I could take
people to the original site so they could stand before each of the 23 chambers
and witness these wall paintings in person. If you were to do this, you would
understand that art can be a portal that transports the soul to a different
dimension. There is a
certain energy that these paintings have that can’t be
translated in mere photographs. You really need to stand inside these chambers
and feel the purposeful nature of this time capsule.
You could walk right up to the entrance of the Ancient Arrow
site and see nothing that would look like an entrance or opening. To the
observer it would be a flat wall of rock. And it would have all the
characteristics of rock — texture, hardness and so forth, but it’s actually a
reality construction that is superimposed on the mind of the observer. In
reality the entrance is there, but it can’t be observed because the mind has
been duped into the projected reality construction.”
I think they planted these time capsules as their way to
bring culture and technology from their time to ours. And they decided to do
this by leaving behind these miraculous structures or time capsules that, once
discovered, would lead people to a new philosophy or level of understanding. I
think they’re as interested in our philosophical outlook as our discovery of BST.
Perhaps more so.
“As for why don’t
they just show up and give us the information . . . this, I think, is their
genius. They’ve created seven time capsules and placed them in various parts of
the world. I believe this is all part of a master plan or strategy to engage
our intellects and spirits in a way that has never been done before. To
demonstrate how art — culture, science, spirituality, how all of these things
are connected. I believe they want us to discover this . . . not to be told.
You have to understand that the time capsule was a
collection of 23 chambers literally carved inside of a canyon wall in the
middle of nowhere about 80 miles northeast of Chaco Canyon in New Mexico. It
is, without a doubt, the most amazing archeological find of all time. If
scientists were allowed to examine this site, with all of its artifacts intact,
they would be in awe of this incredible find.
“Our preliminary
assumptions were that this site was a time capsule of sorts left behind by an
extraterrestrial race who had visited earth in the 8th century. But we couldn’t
understand why the art was so clearly representative of earth — if it were a
time capsule. The only logical conclusion was that it represented a future
version of humanity. But we weren’t certain of this until we figured out how to
access the optical disc and translate the first set of documents from the disc.
“Once we had a clear
understanding of how the WingMakers wanted to be understood, we began to test
their claims by analyzing their chamber paintings, poetry, music, philosophy,
and artifacts.
Most of the world’s major libraries have collections of
information that are not available to the general public. Only scholars are
authorized to review these materials, and usually only on site. In the same way,
there are manuscripts that were controversial and posited theories that were
sharply different than the accepted belief systems of their day. These
manuscripts or writings were banished by a variety of sources, including the
Vatican, universities, governments, and various institutions. “These writings
are sought out by secret organizations that have a mission to collect and
retain this information. These organizations are very powerful and well funded.
“I was selected to
participate in the decoding and translation of the symbol pictures found at the
site. I have a known expertise in languages and ancient texts. I am able to
speak over 30 different languages fluently and another 12 or so languages that
are officially extinct. Because of my skills in linguistics and my abilities to
decode symbol pictures like petroglyphs or hieroglyphs, I was chosen for this
task.
“I had been involved
in the Ancient Arrow project from its very inception, when the ACIO took over
the project from the NSA. I was initially involved in the site discovery and
its restoration along with a team of 7 other scientists from the ACIO. We
restored each of the 23 chambers of the WingMakers’ time capsule and cataloged
all of their attendant artifacts.
“As the restoration
was completed, I became increasingly focused on decoding their peculiar
language and designing the translation indexes to English. It was a
particularly vexing process because an optical disc was found in the 23rd
chamber and it was impregnable to our technologies. We assumed that the optical
disc held most of the information that the WingMakers desired us to know about
them. However, we couldn’t figure out how to apply the symbol pictures found in
their chamber paintings to unlock the disc.
“I was spending 70
hours per week working on the decoding formulas for the symbol pictures, and
this went on for about 8 months. During this time I tried every conceivable
combination to create an access code to the optical disc. I was convinced it
was the only way to open it. I was also convinced that it was purposely made to
be difficult, at least to our present-day brains. It was almost as though the
struggle to decode their language was exercising a part of my brain or nervous
system that was enabling me to communicate with them.
“I began to hear them
speaking to me. It began as a word or two . . . then a sentence . . . maybe
just once a day. It didn’t make much sense . . . what I heard. But then one day
I was working on a chamber painting and I saw something move in the painting. One
of the symbols moved and it was absolutely not an illusion or trick of the
light. Then I realized that the WingMakers could interact with me, that they
were time traveling to my time and that somehow their paintings were actually
portals in which they moved through time.
“It was then I began
to hear their instructions, or more precisely, their thoughts. I was given
mental images on how to use the Sumerian language to decode their own symbol
pictures. I thought I was possibly going crazy. I felt like my mind was playing
tricks on me . . . that I was working too hard and needed to take a holiday,
but I listened to the voices because it seemed plausible what I was being
instructed to do. When I finished with the access code and it worked, I knew
then that I was indeed communicating with them.
“The Ancient Arrow
time capsule is the single greatest discovery in the history of humankind.
Discoveries of this magnitude should be in the public domain. They shouldn’t be
selfishly secured and retained by the ACIO or any other organization.”
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