Halloween? It’s more than Trick or Treat
Ronald Hutton
It is derided as a US import. But the European roots of the
festival of dark and light go deep
All Hallows Eve, or Halloween, is the modern name in English
for the great north European festival which signalled the end of the light and
warm half of the year, and ushered in the cold and dark one, and so divided the
season of autumn from that of winter in these northern lands. It was known in
Irish as Samhain, summer’s end; in Welsh as Nos Galan Gaeaf, “winter’s eve”; in
Anglo-Saxon as Blodmonath, “blood month”; and in Norse as the “winter nights”.
As such it was one of the greatest religious festivals of the ancient northern
pagan year, and the obvious question is what rites were celebrated then.
The answer to that is that we have virtually no idea,
because northern European pagans were illiterate, and no record remains of
their ceremonies. The Anglo-Saxon name for the feast comes down to an
agricultural reality, the need to slaughter the surplus livestock at this time
and salt down their meat, because they could not be fed through the winter. A
Christian monk, Bede, commented that the animals were dedicated to the gods
when they were killed, but he did not appear to know how (and they would still
have been eaten by people).
Nonetheless, we can reconstruct some of the associations of
the ancient festival from those which continued to hang about it in the Middle
Ages, and from folk customs attached to it, so widespread that they must refer
to a generally shared set of ancient attitudes. As a festival positioned on a
major boundary in the year, Halloween faced in two different directions.
In one sense it was a time of plenty and homecoming. People
would have been well fed after the bountiful summer and autumn seasons, in most
years, and be gathering in the home settlement after the time of work and
travel. The warriors, traders, sailors and people with skills to offer had all
come back, the harvest was in the barns and the flocks and herds had been
driven in from the summer pastures and the outfields. It was a time for
reunions, stories, celebrations, the settlement of disputes, the taking of
stock and the learning of lessons to be applied in the next year, and for
relaxation. In medieval Ireland local kings were said to hold a feast at their
royal halls, for a week before and after Samhain, for all these purposes.
There was, however, the other face of the festival: that it
ushered in winter, the most frightening, uncomfortable and inconvenient of all
the seasons in the northlands. Even in modern Britain, it is the time when
clocks are changed and the night rushes into the afternoon. It was the feast
that prefaced the months of darkness, cold, hunger, claustrophobia and the
physical illnesses consequent of all of those. What was coming was the season
of death; not just of leaves, flowers and light, but of humans, as more would
perish in the winter and early spring than at any other time of year. That was
why Halloween was widely regarded as the time when the spirits of darkness and
fear, the evil and malevolent forces of nature, were let loose upon the earth.
People reacted to this forbidding prospect in two different
ways. One was to make it the festival of divination par excellence, in which
humans most frequently tried to predict the future: and in pre-modern times the
prediction most often sought was who would live through the winter. The other
reaction was to mock darkness and fear, by singing songs about the spirits
which personified it (in Wales, for example, the tail-less black sow and the
White Lady), or dressing up as them: in other words, to confront boldly the
terrors of the season now arriving.
It is commonly asserted that the feast was the pagan
festival of the dead. In reality feasts to commemorate the dead, where they can
be found in ancient Europe, were celebrated by both pagans and early
Christians, between March and May, as part of a spring cleaning to close off
grieving and go forth into the new summer. On the other hand, the medieval
Catholic church did gradually institute a mighty festival of the dead at this
time of year, designating 1 November as the feast of All Saints or All Hallows,
initially in honour of the early Christian martyrs, and 2 November as All
Souls, on which people could pray for their dead friends and relatives. This
was associated with the new doctrine of purgatory, by which most people went
not straight to hell or heaven but a place of suffering between, where their
sins were purged to fit them for heaven. It was also believed that the prayers
of the living could lighten and shorten their trials, as could the intercession
of saints (which is why it was good to have all of those at hand). The two new
Christian feasts were, however, only developed between the ninth and the twelfth
centuries, and started in Germanic not Celtic lands.
The Protestant reformation, which did away with both the
doctrine of purgatory and the cult of saints, removed all these rites from most
of Britain, and left nothing but a vague sense of Halloween as a time with
creepy associations. It survived in its old form in Ireland, both as the
Catholic feast of saints and souls and a great seasonal festival, and massive
Irish emigration to America in the 19th century took it over there.
In the 20th century it developed into a national festivity
for Americans, retaining the old custom of dressing up to mock powers of dark,
cold and death, and a transforming one by which poor people went door to door
to beg for food for a feast of their own, morphing again into the children’s
one of trick or treat. By the 1980s this was causing some American evangelical
Christians to condemn the festival as a glorification of the powers of evil
(thus missing all its historical associations), and both the celebrations and
condemnations have spilled over to Britain.
On the whole, though, the ancient feast of Winter’s Eve has
regained its ancient character, as a dual time of fun and festivity, and of
confrontation of the fears and discomforts inherent in life, and embodied
especially in northern latitudes by the season of cold and dark.
Source: the Guardian
It is the time of burning leaves,
The crispness of the air has awakened
Memories both dark and hidden,
Memories of past feasts partaken.
I sit comfortly in this silent room
Computer keyboard beneath my fingers
Yet...my mind is never frozen here
In times past it wants to linger.
I 'see' a bonfire raging on a hilltop
With my people all gathered around
Our prayers to the Gods I shout,
Yet, in my dreams I hear not a sound.
The drums beat, the people dance
Wildness fills the autumn night.
The Other Side is so very close--
The Veil just beyond the fire light.
I reach, I feel, I almost touch...
Spirit fingers entwine with mortal
Then dawn's first light appears
And seals again the fragile portal.
I turn away from the cold ashes
Let the wildness leave my aching soul.
Another year til another Samhain...
On that night again I'll be whole.
Elspeth Sapphire
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