The Ancient Akitu Festival and the Humbling of the King
By April Holloway
The Akitu festival was one of the oldest Mesopotamian
festivals, dating back to the middle of the third millennium BC. It was during this twelve day ceremonial
event, which began at the first New Moon after the Spring Equinox in
March/April, that a unique tradition took place in order to humble the king and
remind him of his role to serve the will of the god Marduk in order to properly
provide for the community. The head priest would strip the king of his regalia
and slap him hard in the face. The Babylonians believed that if the king teared
up, Marduk approved him to be king for another year.
In a featured article about the ancient tradition of
slapping the king, The Jerusalem Post writes: “It might be interesting to note
that a great Babylonian king like Nebuchadnezzar II (605-562 BCE), well known
in our chronicles as the destroyer of Judea and of the First Jerusalem Temple
in 597 BCE, the mighty conqueror of the entire ancient world who considered
himself to be the king of kings, would willingly and meekly, once a year,
submit himself to such a humiliating procedure”.
Yet the ceremonial removal of the king’s power was
considered a vital procedure to reaffirm the bond between the community and the
gods, the community here being represented by the king in temple ritual.
Front of the throne base of Shalmaneser III of Assyria,
showing the Assyrian king and Marduk-zakir-šumi I of Babylon shaking hands in a
public display of Assyro-Babylonian friendship. From Kalhu. Iraq Museum, IM
65574. Image source: University College London.
The Akitu festival was dedicated to the rebirth of the sun
god Marduk, one of the chief gods in the Babylonian pantheon, who was believed
to have created the world out of chaos. To prevent the god of chaos from
regaining control, the New Year ceremony re-enacted the original victory of
Marduk over the forces of destruction. It began with a great procession that
included the king, members of his court, priests, and statues of the gods
passed through the Ishtar Gate and along the Processional Way to the “Akitu”
temple, dedicated to Marduk.
The Akitu Festival at the temple of Marduk
The Akitu Festival began with a great procession through the
Ishtar Gate towards the temple of Marduk.
On either the fourth day of the festival, the king was to
face his trial. The high priest greeted the king before temporarily stripping
him of his crown and royal insignia, and dragging him by the ears to the image
of Bel, in front of whom he was required to kneel. The king was required to pray for forgiveness
and to promise that he had not been neglectful of his duties.
“The list of the
king’s promises and assurances was long and contained all that both clergy and
the ordinary people usually demand from their ruler,” writes JPost. “It was
only after the king finished this list of assurances, well prepared ahead of
time, that the chief priest struck him hard upon the cheek, with an open hand
but as strongly as he could. The blow had to be decisive and hard, for
according to tradition tears had to flow from the king’s eyes as an indication
that Bel (and his wife Beliya) were friendly, an omen which purported to assure
king’s future success and the prosperity of the country.”
A steady flow of tears assured the priest and the people the
king’s reign would be prosperous and his crown and royal regalia were returned
to him. As well as testing the gods’ approval for his reign, the hard slap was
intended to remind the king to be humble and to inspire him to remain focused
on his duties and obligations towards his people and his gods.
“However, the
humiliation of the king during the New Year ritual served a double purpose,”
writes JPost. “It demonstrated to the king that without his crown, sword and scepter
he was just another ordinary mortal, whose fate depended on the mighty gods and
their humble servants.”
The Akitu festival endured throughout the Seleucid period
(312 – 63 BC) and into the Roman Empire period. Roman Emperor Elagabalus (r.
218-222), who was of Syrian origin, even introduced the festival in Italy. A number of contemporary Near Eastern spring
festivals still exist today. Iranians traditionally celebrate 21st March as
Noruz (“New Day”).
Somewhere along the line, the king slapping tradition faded
into obscurity. Nevertheless, there seems to be great value in a ceremony that
humbles a nation’s leader and reminds him or her of their duty to serve their
people with honour.
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