The Divine Fire of Philip K Dick’s Religious Visions
By Kyle Arnold
Although the earliest psychoanalysts saw religion as
neurotic, the modern mental health field has stopped pathologising religious
beliefs. Contemporary systems of psychiatric diagnosis have no problem with a
belief in God, Zoroaster, Demeter, or the Moon Goddess. At least in theory, we
are free to hold whatever religious beliefs we wish without fear of being
labelled mentally ill.
However, the field has made less progress when it comes to
actual religious experiences. Patients meet with less tolerance when they
reveal that Jesus is speaking to them, right now, in the consulting room, or
that the Moon Goddess flew in through their bedroom window last night and
initiated a lunar romance. When spirituality makes the leap from an abstract
belief to a real, live experience, therapists get nervous.
The science-fiction writer Philip K Dick puzzled over the
distinction between mental illness and religious experience after he had one
himself. He claimed that, while he was recovering from dental surgery in
February 1974, his consciousness was awakened by a mysterious flash of pink
light. After the pink flash, he had visions of abstract paintings and
unfamiliar engineering blueprints. Streams of fiery energy – of ‘liquid fire’,
he said – seemed to weave through his environment and inhabit his body. He saw
scenes of ancient Rome superimposed over his neighbourhood: ‘I looked around
and saw Rome! Rome everywhere! Power and force, stone walls, iron bars.’
A local daycare centre appeared to be a Roman prison. To
Dick, its children were Christian martyrs to be fed to lions. Pedestrians on
the sidewalk seemed to be wearing Roman uniforms. The totalitarian Roman Empire
had returned, and Dick felt he was secretly a spiritual warrior doing battle
with it. In a letter to a friend, he wrote: ‘At last Rome began by stealthy
degrees to surface once more, to manifest itself. Therefore it is not
surprising that the same Holy Spirit which rose against it then… has returned
to arouse us as before.’
Although the visions eventually vanished, Dick remained
fascinated by them. So captivated was he that he wrote an 8,000-page commentary
he called his Exegesis. As a science-fiction writer, Dick had trained his
imagination to explore every possibility, however unlikely. Accordingly, many
of his conjectures about the origin of the pink light are bizarre. One of his
theories posited that an extraterrestrial being symbiotically attached itself
to his brain and telepathically linked him with individuals from various time
periods. One of them was a first-century Christian revolutionary named Thomas.
It was through Thomas, Dick supposed, that the Roman visions came.
Another theory had it that, in an alternate dimension, Dick
actually was a Christian revolutionary and the Roman visions were encounters
with his other-dimensional alter ego. Or perhaps Rome was a malevolent cosmic
entity that resided in a dimension orthogonal to linear time, tyrannising
multiple time periods simultaneously. On the other hand, maybe the whole affair
was an illusion resulting from KGB experiments with telepathy. As Dick’s
journaling continued, his theories proliferated. He conceptualised his visions
using ideas from Buddhism, Christian Gnosticism, philosophy, brain science and
Jungian theory. He also entertained what he termed the ‘minimum hypothesis’:
that it was all a symptom of mental illness. But how would one tell if that
were the case?
At first glance, it might seem obvious that Dick’s religious
episode was the expression of a troubled mind. The truth, however, is not so
simple. For there is intriguing evidence that his visions can’t be chalked up
to psychosis alone. To be sure, Dick had a history of paranoia caused by
amphetamine abuse, but he had stopped using speed well before 1974. More
importantly, his judgment seemed to improve during the episode. He took better
care of his health and made clever business decisions. At the behest of his
guiding spirit Thomas, Dick followed up on back royalties his publisher owed
him and increased his income by several thousand dollars. In one incident, a
hallucinated voice urged him to seek medical care for his infant son, for what
turned out to be a hernia. Not only was Dick’s judgment better, but also, he
was happier. He wrote that he felt more fulfilled and relaxed.
What can today’s mental-health professionals make of such
incidents? Not much. Therapists aren’t typically taught to recognise benign
spiritual experiences, nor trained to deal with patients who have them. By
definition, mental illness means a diminution of functioning, not an expansion.
A helpful illness cannot be considered an illness at all. While a handful of
maverick therapists – C G Jung, R D Laing, Stanislav Grof, and a few others –
have tried to make room for spiritual experiences in the mental-health field,
their success has been limited.
To find out how to help patients confronted with the divine,
we have to turn to spiritual teachings, such as the meditation literature.
Visions are not uncommon for meditators, and guidelines from several traditions
offer practical advice to those who experience them. The general rule is: stay
grounded. Keep breathing, observe the experience, don’t take it literally, and
don’t get too attached to it. For the fire often fizzles out: by 1976, Dick
felt that ‘the divine spirit’ had left him. Devastated by the divine’s apparent
withdrawal from his life, Dick overdosed on his blood pressure medication and
slit his wrists. To make sure he would die, he then took a seat in his car with
the garage door closed and the engine running. Luckily, he vomited his
medication, the blood from his wrists coagulated, and the car engine stalled.
He lived long enough to see one of his stories being made into the feature film
Blade Runner (1982). But what he really wanted was to feel the divine fire
again.
aeon.co
Kyle Arnold is a psychologist
at Coney Island Hospital and clinical assistant professor of psychiatry at SUNY
Downstate Medical Center in Brooklyn, New York. His latest book is The Divine
Madness of Philip K Dick (2016).
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